Superb New (to me) Bandsaw Blade

During a recent round of machine maintenance and associated exercises I reflected on my current 14″ bandsaw set-up, particularly relating to the blade that was on the machine.  Now, there was nothing wrong the current blade as it was in fine shape but I was willing to go afield in this regard.  I had been thinking long and hard about buying and in$$$talling a carbide-tooth bade especially after watching a Stumpy Nubs video on his transition to carbide bandsaw blades.  The great Winston Churchill quote, “The American people can be depended on to do the right thing after all the alternatives have been exhausted,” comes to mind; I do not mind spending dollars, even high dollars, on a performance-enhancing option but only after I have been absolutely persuaded it is the only reasonable option.  Or sometimes exploring a different, less expensive option that might come close.

In the end I decided to try a different route than the carbide-tipped blade$ and opted instead for one of these variable pitch blades (unevenly spaced teeth) and I was frankly astonished at the performance.

As you can see in the photo, the re-saw on the right was with a 1/2″ x 4 tpi blade in excellent shapeand the result on the left was one of these new variable pitch blades with the spacing being 2 to 3 tpi.  As different as day and night with virtually no chatter

In addition, the sawing itself was nearly effortless, and an unexpected benefit was the great reduction is noise.  The blade is not silent, it is cutting wood after all, but dramatically quieter than the previous blade.  All the result of disrupting the harmonics resulting from equal spacing between the teeth.

Since I have smaller bandsaws for finer work I will probably leave this one set up for joinery and small re-sawing.  I am finding myself using the band saw for more routine work especially since outfitting it with the excellent Kreg fence.


Winter Projects (and well beyond) – I Just Knew It

For many years I was/am a friend of Knew Concepts founder Lee Marshall and his collaborator and successor, Brian Meek.  When we met at their first Woodworking in America conference they were just beginning to explore branching out from their world of jewelry-making tools into our world of coping and marquetry saws.  I think those first interactions occurred around 2010 or thereabouts and I recall vividly an evening of dining and sketching on napkins as I proposed they undertake the design and manufacture of a vertical marquetry chevalet.  Sure, this concept was revolutionary and heretical and might raise the hackles of horizontal-chevalet-traditionalists but that did not concern me nor apparently did it do anything but enhance Lee’s curiosity.

I had already made my first foray into the chevalet machine form with my c.2002 benchtop horizontal unit, but to be truthful I already had too much muscle memory dedicated to vertical sawing to ever feel fully comfortable with it.  I always kept returning to my tried-and-true bird’s mouth and jeweler’s saw.

So my intersection with Knew Concepts crew was underway.  Our ongoing collaborations led me to hold virtually all of Knew Concepts products in my workshop, trying out what they already were making along with many protypes in development.


I was very excited when they brought their first complete proof-of-concept prototype to WIA 2016 and gave it a good long test drive.  There was much left to noodle out in the details but the overall concept was in place.  Before those details were resolved Lee’s health declined to the point where he died, and Brian succeeded him at the helm of Knew Concepts.  The transfer of the company was long and complicated, but eventually the new regime was in place.

Some time in 2019/2020(?) I dropped an email to Brian asking about the progress of the machine.  He called me to say that one of the terms of the company transition was that at least one unit of the machine be manufactured and that unit would be sold to me.  A few months later it arrived and I set it up just enough to give it a look-see.  It is a spectacular machine and as of last month is now permanently ensconced at the end of the third daughter, ready to make marquetry at a moment’s notice.

While I was at it, I made a major improvement to my Knew Concepts Mark I jeweler’s bench saw by adding an oversized working platform, making it all the more amenable to marquetry than it was before, not surprising since it was designed for jewelry-scale work.

This post might be a long-winded way to say that I have loved marquetry since I first encountered it almost fifty years ago and now have the time and tools to make it an integral part of projects.  I suspect my main emphasis will be parquetry, not curvilinear marquetry, but I am now outfitted for either or both.  My tool cabinet will be my first big foray into monumental scale work as the outside will be vaguely inspired by the works of Abraham and David Roentgen.

I’m thinking this might be the conclusion of this Winter Projects series and it is time to return to our irregularly scheduled programming.

Stay tuned.

Winter Projects (and well beyond) – Ripplin’

Making ripple moldings, and by extension perfecting my ripple molding cutting machine, is going to be part of my life for as long as it takes me to arrive at the horizon.  I am comfortable with the concept of my ripple cutter and will extend the invitation to my fellow ripplistas to spend some more time in the barn this winter/spring as I follow this trail.

In my current episode of rearrangeritis (my favorite Stumpy Nubs term) I’ve moved my machine into the heated studio in proximity to my finishing bench so I do not have that excuse to prevent me from noodlin’ it at my leisure.   Well, if I had any leisure.

Thanks to some barbarian who chopped up (!) a First Edition L’Art du Menuisier, (!!) and should be condemned to copy the encyclopedia by hand a la The Adventure of the Red Headed League, I’ve got a lot of original Roubo prints to frame, mat and mount for a display gallery at the top of the cabin stairs, so I’d better get to it.  This includes the plate of the ripple molding machine itself drawn and engraved by Roubo himself somewhat fancifully, given that he had never seen one in person and was simply imagining what it might be.

Winter Projects (and well beyond) – Cross Eyed Scope

I enjoy precision shooting, a remarkable integration of vision, posture, physiology, skill, tool, and physics; atmospheric, combustion and gravitational trajectory.  Our dad used to take us out into the swamps to throw some lead.  My brother was a sniper-quality marksman back in the day and like me still loves to make loud noises and ventilate targets.  I never did acquire the skill-set of game hunting, although the way things are going I may need to learn.

But I have been plagued by ever diminishing eyesight all of my adult life, to the point where my dominant (right) eye is little more than a hood ornament.  For 99% of my day-to-day life the affliction is little more than a nuisance running in the background.  Sure, I need to hold my head a peculiar way when executing some tasks at the bench, but it has become so ingrained that I do not even think about it much.  It’s just the thorn in my flesh, and I have come to think of it as another opportunity for God to teach me something.  I just wish I was not so thickheaded about learning lessons, whatever they are.

Sure, during my quarterly eye exams the doctors all say, “The eye looks great,” and do not always appreciate my response, “Not from my side, it doesn’t!”  I am about to be fitted with a new contact lens in that eye which may help, a little.  But without surgery to replace the defective polymer lens implant in that eye, which compounds the defective corneal transplant (twice in a row; another data point about which the doctors have zero interest), it really does not matter how much the contact lens can correct the acuity/sharpness since it will not remove the heavy-fog-like haze resultant from the defective lens implant.  And, the surgeon is not at all anxious to intrude into that eye any more since I can still function.  I guess twenty (!) surgeries-per-eye is their limit.  Plus, the cavalier attitude about my glaucoma two ophthalmologists ago has already cost me roughly 1/2 of the vision in that eye on the perimeter of the vision field.

Like I said, a hood ornament.

All that to say that when it comes to long distance precision rifle shooting, I am up a creek without a paddle since that exercise has relied on my dominant right eye for more than fifty years.

Then along came a paddle.

Over the past few years, I have imagined, devised and designed a modified rifle scope that will allow me to still shoot right-handed with the rifle, but use my much better left eye as the steering mechanism for the tool.  I have way too many hours of muscle memory/practice to try learning to shoot left-handed, especially with a bolt-action tool, although I did play hockey left-handed.  But I was a defenseman, so I also skated backwards most of the time.

Now all I need to do is fabricate the parts in the machine shop, put the pieces together and try it out.

Which means I need to get the machine shop up to speed.  That’s what this post is really all about.  I’ve got the design.  I’ve got the materials.  I’ve got the precision machines, just sitting there.

Just do it, stoopid.

Hey, that’s a catchy phrase.  Maybe I will register it.  If the unit is a success, I will certainly not register the invention, I will simply write it up and release it to the world.  I cannot be the only shooting enthusiast betrayed by a failing dominant eye.

Bandsaw(s) Tune-Up

One of the truly exasperating aspects of the Gragg chair workshop was that my 10″ benchtop bandsaw was continuously malfunctioning, requiring us to go up and down two flights of stairs to the main floor with its two larger bandsaws instead of using the little beauty up on the fourth floor.  Chairmaking does not require fancy band sawing but it is an important contributor toward making it an efficient process.

After much sturm-und-drang I discovered ex poste that the new 1/4″ bandsaw blades I’d had in the drawer for the 10″ unit were mismarked; instead of being the 56-1/8″ needed they were 59″.  I could get them on the wheels and run true when turning freely but they would not stay there once battle commenced.  I ordered new blades and they were the right size, so with a complete cleanup and adjustments, combined with new guide blocks cut from a rod of 1/8″ carbon fiber rod from my stash, the new blade installed and ran perfectly and now once agin the saw cuts superbly.

Meanwhile I decided to tune-up my 40+-year-old 14″ Delta bandsaw, a prize from a yard sale almost 20 years ago.  I think it was $100 complete with rolling base.  For a long time I had been contemplating adding a true rip fence to the saw, and finally made the plunge.  Even though the Kreg fence is designed to be installed on the left side of the blade, with a little tweaking I installed it where I wanted it on the right side of the blade.  Sweet.  I also finally added a dust collection port in the lower wheel cover, which combined with a simple bent sheet metal cowl around the lower guide block unit, reduced the sawdust by roughly 95%.

I am contemplating but have not acted on purchasing a carbide tipped blade for the band saw; the ~$200 price tag is a bit stiff.  If you have had any experience with carbide tipped blades for small bandsaws please let me know.

BTW here is an excellent short video on bandsaws that I discovered recently.


I Hate It When Stuff Like This Happens

Ever since moving to Shagri-la my favorite trimming mower has been an ancient Craftsman mower that was given to us by our friend SM when she lived with us for a few months back in Mordor.  This is about the most basic lawnmower I ever encountered.  There are no controls, really.  There is a primer to pump gas into the carburetor to make sure the unit starts when the cord is yanked.  That’s about it.  For years and years it did the job for those areas around the edge, areas too close to the house or garden or whatever for the lawn tractor to fit there.

Recently I noticed it began to perform oddly, then it ceased to perform altogether even though the engine was running just fine.  On closer examination I saw that the twin alignment pins on the hub had sheared off, as had the bolt that affixed the blade/hub to the engine shaft.  And, the bolt had sheared off below the surrounding surface of the shaft.

My next task is to see if I can drill out the center of the broken bolt inside the shaft and try removing the broken bolt rod with a screw extractor.  I hope this works as I have not seen any new mowers on the market that meet my desires.

Grrr.  Stay tuned.

A Permanent Home For Serial # 001 (maybe…)

Going back many years I was an enthusiastic supporter of the concept of a vertical marquetry saw as an alternative to a horizontal chevalet, a machine I never got the hang of.  I’m not sure if I was the first person to raise the concept to Knew Concepts but certainly I was in there early with encouragement and specific concept and design ideas.  The development of the tool took many years and trips down many rabbit trails, not the least of which was the passing of our beloved friend Lee Marshall from Knew and the transition to Brian’s sole leadership and all the logistical and legal details that entailed.

Then came the day several months ago when the very first unit rolled off the assembly line and shortly thereafter arrived on my doorstep.  I assembled and used it just enough to get the sense of the tool, then put it away since I had so many other things in my pile of things to get done.  Well, I am finally returning to the tool.  The first thing was to find a permanent (?) home for it in the workshop.  At the moment that location is the end of my oldest and dearest friend in the shop, my Emmert workbench.

Time will tell if this is the final resting place for this magnificent machine, but for now it is working just fine.

Ripplemania III, Part Deux

As our recent week of Ripplemania III proceeded we were both making progress, albeit not entirely unhampered by glitches along the way.  John was very much involved in locking in his wave function (side-to-side) while I was dialing in my new swing-arm cutting head for narrow-ish ripple moldings.

Once I got the free weight on the pivoting head right it started producing some very nice moldings.  The anvil weighed just the right amount and I could slide it back and forth to adjust the force on the cutting tool, heavy for the initial cuts then lighter for the finishing cuts.

I also wanted to standardize the workpiece-holding aspect of the platen and spent some time making new clamps from a piece of aluminum angle stock,  This approach worked extremely well.

Another thing we did during the week was gather all the tool steel I had in my inventory to begin the work on making new cutters.  I had already ordered a variety of tool steel bars over the years for one project or another, when combined with the “used” tool steel I also had resulted in quite a pile.  Since I never throw away old planer blades there were a number of them, but the real treasure was the stack of hefty blades (~1/2″ thick) from a book producer’s guillotine that my pal Tom passed along to me.  These massive chinks will yield a large number of cutters, probably more than I will ever need.  I spent several hours working on a new cutter pattern for my machine but did not get that blade finished during the week.

Even before this week of prototyping John’s machine had ripple molding cutting nailed.  So, he pretty much spent the week trying to do the same for the wave molding cutting function.

In working through the problems of wave molding cutting John kept running into the hurdles caused by the elegantly complex head he had created for his machine, one that could do either wave or ripple moldings, and ideally even both simultaneously.  This was a really complex problem that expressed itself in a number of hiccups due to the lateral forces being exerted at the cutting edge.  He definitely made progress but the problem of the lateral forces and their effect on the cutter-head were not fully solved.

My issues were much simpler, just get a cutter head and workpiece holding system suitable for scratching out a simple  pattern.  One of the things I decided almost immediately was that my machine was too low to the ground, especially when cranking the handle to drive the moving platen, so I just hoisted it onto a pair of low sawhorse.  That helped my attitude immensely.

Ripplemania III

Last month my friend Ripplin’ John and I spent a week in the barn working on and brainstorming about our respective ripple molding machines, trying to get a model ready for the show-n-tell of Handworks 2020 (this is before we knew Handworks 2020 was being postponed by the Wuhan Virus).  I had made a little progress on my machine since Ripplemania II but he had made great strides with his.  During the week his main emphasis was on the lateral “wave” cutting function of his elegant machine while I was simply trying to get my newly designed cutting head to work properly.

Prior to our most recent week together I had also been working on the notion of improving the method and form of the ripple patterns themselves.  I tried a number of different methods and jigs but wound up realizing that precision layout and careful workmanship was the key to producing a crisp, precise concave pattern.  Throughout our week we discussed this issue and I am now thinking that concave is not the way to move forward, convex patterns may be the future.

As John was assembling his machine, a fairly lengthy process since it was totally disassembled to fit into hi vehicle, I was puttering on mine.

My new cutterhead  was now configured with the cutter being positioned at the end of a long weighted swing arm rather than inside a spring-loaded modulating frame structure.

I reasoned that the swing arm was a simpler approach and determined to give it a try.  Unlike John I narrowed the scope of my machine to do only one thing, namely cut ripple moldings of approximate 1-1/2″ stock width and 1/2″ thickness.  No wider, no thicker.  Thus my machine structure was much more restricted than his with approximately zero adaptability.

John had been working on two important evolutionary steps.  First, the machine could cut but ripple moldings and wave moldings within the same overall machine structure.  Second, that the machine could be mechanized and automated thus making it a more practical device for producing large quantities of moldings.  As he recited a truth to me, “Turning the platen drive handle gets old after a surprisingly short time!”

I’ll let you know how we progressed next time.

Proof of Concept – Cheap And Easy Downdraft Table

During (another) recent pre-martial-law episode of basement workshop archaeology at my daughter’s house I rediscovered a successful “proof of concept” prototype, a phrase I learned from my pal Ripplin’ John and have come to use with great regularity.  I cannot even recall the particular project at this point, but only vaguely remember that I needed to do a lot of sanding in the winter, hence it would be inside.  I needed a dust control scheme so efficient that Mrs. Barn would not even notice a speck of the dust upstairs, the basement steps ending/beginning immediately off the kitchen.

I had designed a downdraft table for dust control during upholstery stripping decades before and it worked wonderfully for the furniture conservation group I designed it for.  In the intervening years downdraft sanding tables had become more common, but I did not have the space or need for one of these big units, 24″ x 36″ or thereabouts was all I needed.  Pus, it had to be a benchtop unit given the restricted footprint of my basement workshop.

Being someone who rarely throws away anything that could theoretically become useful in the future I had almost everything I needed to build the unit.  The only thing I needed to buy was a 24″ 48″ piece of pegboard from the home improvement center.

I had some nice scraps of 1/2″ tempered foam core sheet and made the box walls from them, sawing them on the table saw. I glued them together into the frame using hot melt glue.  Double- or triple-wall carboard would have worked just as well.  (One of the reasons I did not use wood walls was my desire for the unit to be ultra light weight; wood would have increased the weight several fold.)

I knew that my small unit, unlike the large downdraft tables, would need to have the air drawn from one end rather than from underneath so the internal air-flow volume had to be tapered, fattest at the end where the fitting was inserted to draw the air and very shallow at the other end.  This tapered plenum provided a more equal air flow over (and through) the work surface of the unit, much like reduced/increased ducting controls the evenness of air pressure within air conditioning and heating systems.  I found in practice the unit performed admirably in this regard.

The taper was achieved by gluing parallel strips of wood to the insides of the box fame, then stapling on a bottom of corrugated plastic sheet.  Again, all it had to do was direct air and not support anything but itself.

For the working surface of the unit I simply cut and glued on a piece of pegboard, with only one cross rib in the center since the dimensions preluded any severe sagging given the pieces I was working on.

When I first set up my tiny basement workshop I purchased a larger-than-necessary cyclone collector, a machine that served me magnificently for all those years and remains the cornerstone of shop cleaning in the barn to this day.  I cut a hole in the fat end of the plenum to insert the 3-inch hose fitting from the collector and the unit was done.

I am really glad I rediscovered this accessory and have kept it in my barn workshop since I do everything I can there to keep airborne dust to a minimum.  I was recently using it to do some sanding and it still works great.

All it took those many years ago was a bunch of scrap materials and about an hour’s time to make.  It was the perfect solution to the problem I had, and if you have an indoor space with the same constraints you might give it a try.