Testing The Envelope

There are times when I am working on the book manuscript when I just have to get up and do something physical for a change of pace.  Because of the peculiar way I write, editing and massaging-together is often more fatiguing than the original creation of the first draft so I need a diversion and relaxation.

Last week I spent an hour or so at the lathe trying to see how thin I could turn a bowl.  This concept interests me as I begin my re-immersion in replicating Japanese lacquerwork, a creative theme that will be prominent in the studio and on the blog for the foreseeable future.

I had a block of c.1840 11/4 old growth cypress handy and gave that a try.  I do not know why I had never turned the cypress before, it works like butter in the lathe.  I left the face of the block square as I am trying to come up with a form that suits my fancy, and a square/turned bowl with a feather-thin edge is intriguing.

I found out that feathering the edge is not possible without reinforcing it somehow, probably by impregnating it with epoxy, or the edge will simply shatter as you work it.  Ditto the base of the bowl where I did indeed find the edge of the envelope.  I tried the a similar exercise with some figured plum stump I harvested 15 years ago.  Same result.

Since failure is its own useful data point I now know I need to turn this form close to finished, then impregnate and finish up then.  I will report back on those results.

The next day I  tried the exercise with a southern yellow pine scrap and also had encouraging results.

One of the peculiar and captivating phenomena of that attempt was the turning began to “sing” as the wall was thinned, sounding much like a crystal goblet when it is being played like a musical instrument.

Then, back to the Eames chair knockoff for more wordsmithing.