Of all the thing I learned at the recent Working Wood in the 18th Century shindig, two come into clear focus: 1) Peter Galbert is a rock star, and 2) even though I am not a Windsor chair sorta guy I somehow have to figure out a way to budget the time and finances to attend a workshop he is teaching.
While I am not even a chair builder per se, Samuel Gragg chairs notwithstanding, I had been awaiting this presentation with great anticipation since I learned of it. Pete’s book on chair building was a thing of great beauty and erudition; the highest compliment I can give it is that I wish I had written a book this good. When reading it I found myself smacking my forehead with every new nugget of enlightenment, which meant every couple of minutes or so. In much the same way as Krenov’s original trilogy, Chairmaker’s Notebook is a snapshot of the craftsman’s soul.
And here he was on stage, unfolding his methods of work. As my friend MikeM remarked, Pete’s performance was perhaps the most amazing example of cogent non-stop talking and non-stop working either of us had witnessed. Next to both “peripatetic” and “loquacious” in the dictionary is a picture of Pete, and with great elan he walked us through the processes he uses to build his chairs, and his reasoning behind them. It was a beautiful thing to see.
Beginning with the splitting of the green stock needed for the fashioning of the steam bent pieces and finishing with the assembly of the chair’s elements, I found this to be as grand a learning experience as any I have encountered in furniture making.
Along the way he showed how he lays out the geometry of the chair spindles and legs, steam bent the continuous arm/crest rail (I was too engrossed in watching to remember to take pictures), and even turning the green wood legs on a treadle lathe, he did not miss a single note.
His assembled base with the arm attached was a great hit with the attendees as it was on display out in the vestibule of the auditorium.
Well done, and thanks Pete.