Barn News

Geetar Club

One of the aspects to living in a locale so isolated as Shangri-la is that it is populated by folks who are at the very least comfortable with isolation; for the “born here’s” it is simply the life they have always known, for many of the “come here’s” it is the life they actively sought.  If you cannot tolerate isolation, you leave.  I can speak truth to this, for about 99% of the time my only in-person contact is Mrs. Barn.  Going to the Post Office or feed-and-seed-co-op hardware store a few minutes a week hardly describes a life of social interactions — “social distancing” describes every day ending in “Y” out here —  and during this season of psychosis our only regular time of interaction beyond ourselves is at church.  (I am increasingly convinced that functionally Covid-19, while deadly to a miniscule slice of the population pie, is more of a psychological experiment in repression than a public health crisis; I will believe it is a catastrophic pandemic when the elites act like it is one rather than jetting about for vacations in Cancun or group dinners at fancy restaurants and when politicians and gubmint employees rather than small businesses lose their incomes.)

One of the things in which I have been long interested is finding other woodworkers here for fellowship and collaboration.  They are around but like me they mostly stick to themselves.  I’ve had some success in finding and interacting with gunsmiths, blacksmiths, metalsmiths, this smith and that smith, but thus far the woodsmiths have kept to themselves.  In recent months this has begun to thaw as one retired “come here” with whom I am on a local Board revealed he is a luthier, and lo and behold there is suddenly a critical mass of luthiery-ish practitioners in the county.  One is a newly arrived pastor/amateur musicologist, another is an actual full-time guitar maker who moved here recently and has a small studio in town.  (When your region’s largest metropolis has fewer than 200 people…)  Together we are in the gestational phase of starting a woodworking club with just the four of us working in my studio, the only space any of us has that would be amenable to the enterprise — plenty of workbenches in a heated work space.  I think the plan is for us to gather weekly to work on individual projects as our schedules allow.

Since I am in fact the only one of us four who has never built a guitar from scratch I will be the main hindrance to the overall performance level.  Still my enthusiasm for the effort is high, and not too surprisingly I expect to bring my own peculiar approaches to building a dreadnaught six-string guitar.  Eventually I will build a hammered dulcimer for Mrs. Barn, who has expressed a strong desire for one ever since listening to the pastor/musicologist play his at a local music program.   She never reads this blog so I will be able to maintain the secret surprise until it is finished.

Stay tuned.

Ironic Tyranny of Time(liness)

Last year when we were having the driveway rebuilt up to and slightly past the barn, I indicated a desire to have a small parking pad next to the barn for students and visitors.  “No hurry”, I says, “just fit it in whenever you get a free day.”  Then, after months of consideration a couple weeks ago I announced my contemplation to reduce or even eliminate workshops at the barn.

So of course yesterday was that “free day” for the contractor and they showed up with a truckload of gravel and the equipment to move it around.  Whether I need it or not, now I have visitor parking at the barn.

Actually even if I do not have students it will make a splendid staging area for cutting and splitting firewood.

Throwing In One Particuar Towel Leads To An Unrelated Solution

Recently while noodling with one of my ripple molding cutters in preparation for the September “Make A Ripple Molding Cutter” class, which like the upcoming “Make A Roubo Shoulder Knife” has been cancelled due to unanimous disinterest (I will soon write about the future of workshops at the barn, most of which have drawn nearly unanimous disinterest and will likely diminish for the most part), I decided that the underlying design concept for that particular machine was too flawed to rescue.  So, I tossed in the towel on that particular journey.

At the same time I was doing some cleanup and organizing on the main floor of the barn — alas when you have thousands of square feet of space the tidying is nearly an endless proposition — I decided to address the “problem” of how my lathe has been set up for the past few years.  At the time I thought I would really like having the lathe sitting on a mondo beam adjacent to two of the vertical timbers holding up the third and fourth floors.  In practice I realized that I REALLY did not like that set-up.  What to do?

Well, with the ripple molding cutter being moth-balled I suddenly had the perfect base available for use with the lathe.  So now it sits thereon, and I like the new set-up much, much better.  An additional benefit is that the new base is long enough to hold not only my wood lathe but also my micro machinist lathe.

Excellent.

And fear not about the fate of the mondo beam.  It now serves as part of a bench outside being used in my ongoing tactical training and practice.

A Collaborator Goes “On-Line”

My video production collaborator Chris Swecker has created a web site to market his new-ish venture, Seed and Fruit Media. If you are in the Mid-Atlantic region and would like to explore video as an element for your work, Chris is an excellent option. He is especially great at seat-of-the-pants production, and I find him a delight to work with and the final product is exactly what I wanted; whimsical broadcast quality footage.

Chris definitely has the chops for first-class work. He spent a decade out in Realityville working on big-time projects, and fortunately for me he has come back home to the place where he was raised.

We will be resuming filming the Make A Gragg Chair video early next month once the weather warms a bit. This was a bitterly cold winter, so shooting in the unheated attic of the Barn was not an option.

BTW I hope to post the next episode of the Veneer Repair video on Saturday.

PS Imagine the possible communication confusion when two of your closest collaborators are both named “Chris S.”

The Every-Other-Morning Winter Ritual

My morning routine over the winter involves a light bit of attention to the wood/coal stove one morning and a more in-depth regimen the second day.  Here is how my day usually begins for the heavy heating season from about the beginning of December through mid-March.  I guess I could just rely on the propane wall furnace, but since propane is the very highest expense method I am disinclined to go that route.  I’m guessing that would be somewhere north of $750/month even though my workshop is super-insulated (R43 XPS panels).  I longingly note the falling prices of gasoline and the simultaneous rise of propane prices, the last fill-up was almost $4/gallon.  So instead I rely on my triple combination of wood, coal, and kerosene.

On half of the mornings I arrive to a half-clean firebox with a few glowing coals, keeping the space between 45-40 degrees requiring only a couple minutes of cleaning out some of the clinkers.  All I have to do is fire it up again and it is ready to work all day and through the night.

On that second day, however, the residual pile of clinkers requires a pretty thorough cleaning of the firebox.  I must say I am pretty disappointed at the mound of clinkers remaining after the fire, I’ve been buying what I thought was good quality anthracite but as you will see there is always a full bucket of clinkers to get rid of.  If I had cleaner burning coal my clean out would take two minutes a day.

 

This is what the fire box looks like after two days of burning.  The clinkers fill the bottom from the bottom horizontal grate, slightly below the bottom of the opening, up to the top of the removable fence grates in the front.

The front fence grates slide up and out, giving me full access to the bottom grate so I can shovel out the clinkers.  (The ash falls down into the ash box below.)

It is now time to lay the foundation for the new fire to come.  I put the bottom fence grate in place and fill the space behind it with coal to a depth of 2-3 inches.

It is now time to turn my attention to the ash box, which slides out like a drawer.  Its contents join the clinkers in the ash bucket.

Unfortunately the ash box goes into a space that is larger than it is, so the areas outside the ash box need to be cleaned out too.

Once everything is cleaned out and swept the whole assembly goes back together.

On top of the bed of coal I place a paper towel left over from its use as a wax filter, then pile kindling on top of that.  I leave a little tail of the firestarter poling through the front fence to give me an easy place to light the fire.  Which I do.

Before long I have crackling flames.  This usually takes a minute or so.

After about three minutes I set the stove doors for maximum bast furnace effect.

About 5-7 minutes later the chimney is hot as a pistol.  This is not the heat level I maintain, I normally operate the stove near the bottom of the operating range.  I can now leave the stove on its own for an hour or so, then add another piece or two of firewood and another couple scoops of coal.

Meanwhile, upstairs at the floor level of the shop, I  have created a heat stack vent by raising the chimney collar.  This allows the hot air from both the stove and the chimney to more easily enter the shop.

Usually about the time I get back upstairs the stack is providing hot air for the space.

I augment this with a small fan blowing on the chimney to distribute even more heat into the space.  I used to have a heat exchanger in-line in the chimney but have it currently removed because it requires constant power and in the winter I often power down my entire system at the end of the day.

I add additional scoops of coal a couple times throughout the day, but mostly I just get on with my day, loading it one final time when I close up for the evening.

I cannot pretend I am completely satisfied with this system.  We are looking into upgrading the heat source for the cabin, and I just might do so for the barn too.  I’m thinking about a Kimberly gasifier stove but am still gathering information.

The Waxerie

My recent mysterious bout of vertigo (still ongoing but mild, I describe it as being “fuzzy around the edges”) limited my work in all phases, but in the latter part of the acute phase I could gently walk the driveway and putter in the barn.  One of the techniques I used was employing a long walking stick held diagonally across my torso, planting it solidly on the ground with every step in order to be a sturdy hand-hold as I wobbled my way up the hill.

One thing I could do was tidy up, put stuff away and clean the shop.  Since a hand-hold was never more than arm’s length away it went pretty well.  One of the chores I attacked was organizing the west end of the shop, a space opened up this year to remain heated all winter long and serve as my place to mix and make wax/finishing products.  I had an idea of the spatial configuration and it turned out to be terrific.  I also moved an 8-foot workbench in there to go with my six-foot folding table and the huge map case so I have plenty of counter space for my work there.

I know, famous last words.  Especially coming from my mouth.

Look at me being all science-y and stuff in my new lab coat.  I am not certain that my LAP cap is laboratory-grade, though.

I spent a couple days working out some production details for Mel’s Wax (a big announcement due SOON).

Coming and Going Just Got Easier

Recently we “got around” to a project more than a decade in the making, namely the rebuilding of the driveway at the homestead.  The issue came to a head a while ago when the UPS truck struggled getting up the straight but fairly steep and narrow driveway to the barn.  The existing driveway there was a “temporary” path laid down for the initial barn raising eleven years ago, so the time was at hand.  Between the hurdles of weather and resources we sorta scheduled the work late last winter and we finally got a stretch of days dry enough for the ground to firm adequately for the heavy equipment.  I believe the curb weight for a loaded dump trunk is in the neighborhood of 50,000 pounds.

As I understand it the process of building or rebuilding a driveway is dependent on the ability to first lay a deep foundation of cash on the ground.  Actually it begins with scraping the bed flat and smooth, then building the roadway with first coarse gravel followed by fine gravel.  It packs like concrete.

This is then smoothed and packed, and if done well will last for decades.  That’s what I’m counting on.

The new driveway crown is a foot higher than previously in some places.  Make no mistake about it, this makes coming and going to and from the barn a whole lot easier.  Now I will no longer have the UPS/FedEx packages dropped off on the cabin front porch when they are meant for the barn.

Summer 2019 Workshops at the Barn

I have settled on the topics and approximate schedule for next summer’s classes here in the hinterlands, with three of the four classes emphasizing toolmaking.  I will post about them in greater detail in the near future.  One minor change I’ll be instituting next year is that three-day workshops will now be Thursday-Friday-Saturday rather than Friday-Saturday-Sunday as before.

June’s class will be a metalworking event, Making A Nested Set of Roubo’s Squares.   The objective will be for each attendee to create a set of four or five solid brass footed squares, the sort illustrated in Roubo’s Plate 308, Figure 2.  The special emphasis will be on silver soldering, a transforming skill for the toolmaker’s shop.  The tentative dates for this are June 6-8 or 20-22, $375 + $25 for materials.

July’s class will be my annual offering of Historic Wood Finishing.  Each participant will complete a series of exercises I have devised for the most efficient learning experience to overcome finishing fears and difficulties.  Of particular importance are the aspects of surface preparation and the use and application of wax and spirit varnish finishes using the techniques of the 1700s.  Probably July 11-13, $375.

In August we will continue the pursuit of Roubo’s tool kit, this time Making and Using Roubo’s Shoulder Knife.  I have no way to know exactly how prevalent was this tool’s use in ancient days, but I suspect more than I can imagine.  Each participant will fabricate a shoulder knife to fit their own torso, so its use can be both the most comfortable and the most effective.  Probably August 15-17, $375.

The final class for the year will be a week-long Build A Ripple Molding Cutter.  As I have been pursuing this topic and blogging about it, fellow ripple-ista John Hurn and I have settled on a compact design we think can be built by every attendee in a five-day session.  Together we will be teaching the process of ripple moldings and fabricating the machines that make them.  September 23-27, $750 plus $200 materials fee.

Save the dates and drop me a line for more information.

With Apologies To Ray Bradbury

Something wondrous this way comes.

Thanks to months and years of work on the web site new things are beginning to appear, with even more to come.  Other things which do not show are also manifest, including moving the entire website to both a new server and a new software platform.  This require Webmeister Tim to migrate almost 4GB worth of files then checking each one to make sure it did its part.

The Don’s Barn Store is now up and running!  Well, we think it is running but have not yet had any new orders so I cannot promise that for sure.  But the Store Page is up.

 

For now it has a few of my finishing and video products but will expand to include rare First Edition Roubo prints, registration for classes at The Barn, links to my books, and new finishing products as they come on line.

I have begun inputting information and maintaining the calendar of Barn Classes, my presentations, and other events that might be of interest to you.  It will become my routine and habit to keep this as up-to-date as I can.  This stuff is still not natural to me so please bear with me as I ease into the 20th Century.

The Comments function has been up for several weeks now, and is thriving(?).  About 99% of the Comments are spam that the filter catches.  I had no idea there were so many folks thinking I was interested in fake Air Jordans, Russian girlfriends, and support for updating site content with vague and breathless praise for the site while offering new content for only a dollar an article!  Call me skeptical if not downright suspicious.

The immediate future holds the revival of the Shellac Archive (I have already scanned thousands of pages with many more thousands to go), uploading of all my articles from the past few years (at least the two dozen or so I can find), and the initial postings of our nascent video enterprise.  I’m even thinking about vlogging once I can figure out how to capture and edit video snippets from the workshop.  Maybe if I get far enough along with my furniture conservation thriller novel I can start serializing that as well.

And the blog will be featuring new arcs as metalworking, toolmaking, and furniture making grow in prominence at The Barn, and the foundry and machine shop all come more on-line.  The visitorship stays stubbornly loyal at an average of about 375 hearty souls a day (I check my stats on occasion without actually understanding them well, and my traffic this year is identical to that of my first year of 2014 so at least it is not declining).  Thank you all for following the adventure on the homestead.

Stay tuned.

Black Swan Update – 3 is 2…

With all the disruption of two robust independent electricity producing systems going belly-up at the same time I decided to add another producer into the mix, is essence to modify the “two is one and one is none” rubric for logistical planners into “three is two, two is one, and one is none.”  In the absence of the hydro and solar electron hamsters I relied on my gas powered generators and a bunch of extension cords.

I decided to contact the local electrician to see if he could wire the generator into the service panel of the barn, and he suggested instead wiring it into the power system at the bottom of the hill, alongside the electrons provided by the hydro and solar units.  I got a quote, smacked my forehead and said, “Of course!”, and authorized the work.  Plus, since there was already a buried cable from the powerhouse to the cabin, could he perhaps also wire that into the system?  Sure, he sez.

The day came when he and his son, also an electrician, arrived to do the work.  The first step was to clear the work area, which translates into “ripping off the raggedy shelter over the electronics closet.”  I’d been wanting to do this anyhow in order to build a more proper enclosure for all these components so this was the time.

In no time flat they were abuzz with work, installing a new sub-service panel to provide for vastly improved current distribution.

After a bit of time they separated so one was completing the sub-service box to serve as a new router for the electricity and the other was making the modifications to the service panel inside the cabin, alowing it to be powered by the same auxiliary system.

By lunchtime they were finished and I test drove the system in all its iterations available at the time: inverter/battery bank power to the house or barn, gas generator power to the house or barn.

Brilliant!

I spent a couple days making more proper housings for the system electronics and the generator and this chapter was complete.