Yard Sales and Thrift Stores I

Many of you are, like me, familiar with, and probably partakers in, the “tailgating” tool flea markets that are fairly common around MWTCA meetings, tool auctions, and the like.  I might only spend a minute or two per year buying clothes and shoes, but I can sink days into scrounging for tools.  I carry the same mindset to almost every yard sale or thrift store I encounter, and often with more strategic buys in mind.

In fact, all of my workspaces are chock full of yard sale and thrift store resources.  I’ve had a pretty good stretch of useful acquisitions lately.

Here are some treasures from a recent event, a community yard sale just before winter got here.  In a few minutes and for a few dollars, I came home with this booty.

My first treasure was this collection of assorted tacks, of which I bought six boxes for $1.  I am always on the lookout for vintage fasteners, and this box is the type of assorted tacks that was common in hardware stores in the 1950s and 1960s.  At some point when I get bored enough I will sort the contents of the boxes, ranging from 1/4″ in length to 1″.

Grinding shellac anyone?  I don’t like coffee, never have.  But coffee grinders, especially one for 50 cents?  There’s always space for them as I use them to grind up shellac, resin beads, whatever.

What in the world can I do with cake and jello molds?  Well, there is a lacquerwork technique I want to experiment with, using my epoxy fauxrushi.  This technique involves draping strips or sheets of impregnated fabric over a mold, then demolding after hardening.  The molds will have to be sized with whiting first, but they are a terrific testing opportunity for the idea.  If my memory is intact this stack was $1.

Since I use heat for a lot of functions involving wax or glue, old timey electric irons are just the tool for a lot of applications.  These were $2 a piece.  In the original boxes no less.

Since I melt wax a lot, and even more in the near future as I delve again into lost wax metal casting, I’ve found that using coffee pots are darned near perfect for material handling.  I can melt wax on a hot plate with these beauties, and then pour into whatever form or mold I’m using for whatever project I am creating.  I got these four for a buck apiece.

Perhaps my biggest prize, both conceptually and physically, was this very large turkey roasting pan.  What in the world do you need with a turkey roasting pan?  (Mrs. Barn asked me the very same question).  Well, when steaming the wax out of a ceramic investment mold, that is “Losing the wax” in lost-wax metal casting, you gotta invert the investment mold and steam out the wax.  This roasting pan is just perfect for the largest investment shell I will ever do.  I shelled out big bucks for this one, $4.  And worth every penny.

Fifteen minutes, fourteen and a half dollars.  Not a bad way to spend a little time and money on the way home from the post office.

PS – between the wedding, and Christmas, and family visits going in both directions, and preparing the Maryland house for new occupants, I don’t think I’ve spent a dozen hours in the shop doing any real work since the beginning of November.  “If only I can get past this next thing,” I tell myself…  But there is always another dozen things waiting in line.

Sigh.

The Starting Point

While undertaking some recent reorganization of my basement workshop in Elderbarndottir’s former house (she got married in November and moved to her husband’s house) I came across this nostalgic and beat-up picture from early 1977, hiding behind one of the shelving units.  This French secretaire was my first really high-profile/high-value furniture restoration project at Schindler & Son of the Palm Beaches, where I started working in late 1974.  Unfortunately I did not take any detailed pictures of projects at this point of my career – had this happened once I was a museum conservator the project would have been documented with hundreds of photographic images to go along with the written reports.  I probably took a picture or two of the interior, it was spectacular.  Bat that was almost 50years ago and cannot recall that detail.

Somewhere I have a picture of a Riesener cabinet from the same client, but that picture has not turned up yet.

Prior to this I did a lot of run-of-the-mill restoration for “ordinary” antiques along with a boatload of custom finishing and refinishing; before Schindler’s I was a “scratch and dent man” at a couple of furniture stores.

This project arrived in pieces in the back of Ambassador So-and-so’s Mercedes station wagon.  The secretaire bore the inventory stamp of the Chateau de Saint Cloud.  It should come as no surprise that the culture from which the word bureaucrat is derived should be punctilious about household inventories, but there you have it.

Over a period of a couple weeks, I reassembled it and made repairs to the rosewood and tulipwood veneers, then finally a couple of days of shellac pad polishing.  “Pop” Schindler came almost every day to watch and guide me, it was on this project that he introduced me to hot hide glue.

This was a seed for my fascination with exquisite European furniture, especially of the French variety (along with our company’s work at the Wrightsman estate in Palm Beach and their furniture collection), and was truly the acorn from which my fascination with Roubo sprouted.  It was also the prompting for me to embark down the career path of conservation; I entered that stream in 1981 at Winterthur Museum while I was a student in college.