Historic Finishing Workshop – Tar Tonality, or, The Brown of “Brown and Shiney”
In the finishing trade we often quip that our job is to make wood, “Brown and shiney.” Historically one of the main methods employed for the “brown” part was asphaltum, or tar. I knew of using tar as a toning glaze in gilding, where the tar would be diluted with white spirits and used to accentuate the gilded surfaces. I had not used it for wood until about fifteen years ago, responding to the evangelism of Alan Noel, a/k/a “The Czar of Tar,” and famed Atlanta based finisher and restorer and long time friend
For the workshop I’d asked Knoxville Dave to provide instruction on both pad polishing and asphaltum glazing, since he does so much more of that than I do. Yes indeed, that is a can of fiberless parging asphalt that he is mixing and diluting to glaze consistency.
We both using glazing as our “go to” technique for coloring, since it is so much more controllable than any penetrating colorant, and can be controlled to perfection. Sometimes staining works perfectly, but is is “just off a little bit” enough to take that technique off the table for me.
The exercise that really showcases the asphalt glazing technique was toning the turnings. They were first shellacked then burnished, leaving a magnificent foundation on to which you lay the color. The dilute asphalt was spread on the surface, then manipulated with cloth pads and fine bristle brushes to provided subtle shading to the presentation surface.
One of the beauties of asphaltum is that it performs almost like a dye, yet can be manipulated to provide both understated and exuberant change.
Dave also demonstrated using the glaze on a flat panel to great effect, mimicking the “ammonia fuming” so prized in Craftsman furniture finishes.
With that, the students were turned loose on the workpieces.
One of the fellows did some asphalt glazing to his new carved Bible box to great effect.
After the asphalt dried the surfaces were sealed with another coat of the shellac varnish.
The only thing left for the workshop was final detailing for the mega panel. Stay tuned.
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