beeswax

Historic Woodfinishing Workshop – Day 2

Day 2 began with scraping the large panels with razor blades to get them really smooth, followed by a final “inning” of 5 or 6 coats of shellac varnish, giving a total application of about 15 coats.  These were then set aside for final rub-out at the conclusion of Day 3.

We then moved on to brushing a few coats of varnish on turnings and embossed moldings to introduce the notion of using an oval tip brush on undulating surfaces.  The right tool makes all the difference.

Smaller panels were varnished in preparation for further exercises; the plywood panel was for water/wax polishing (we never got to that one since we ran out of time) and the mahogany panel was for spirit varnish pad polishing.

The final event of the day was applying, scraping, and buffing a molten beeswax foundation to these solid cherry panels in preparation for subsequent pad polishing.  Prior to the advent of plaster-like grain fillers in the late 19th century, beeswax was the grain filler for almost all glossy finishes.

It might not sound like much but these activities did fill the whole day.

Thus endeth Day 2.