Where Are My Studley Exhibit Tickets? (modified FAQ re-post from Lost Art Press blog 8/10/14)

With the exhibit of the Studley Tool Chest and Workbench only days away (May 15-17, 2015, in Cedar Rapids, Iowa), I find myself fielding a lot of similar questions (especially about tickets – if this is your inquiry READ THE LAST QUESTION) in email and conversations. So I took the time to create a Frequently Asked Questions compilation for the LAP blog, from which this was adapted..

How did the exhibit for the Studley Tool Chest come about?

Three years ago while studying the chest in person for the forthcoming book “Virtuoso,” I interviewed the owner for background material for the manuscript. At one point I asked, “Do you ever think about exhibiting the chest?” He smiled and just said, “I probably should, shouldn’t I?” A year later we spoke again and he agreed for me to do it.

Why is the exhibit in Cedar Rapids, Iowa?

For starters, one of the requirements by the owner was that the exhibit, “Be nowhere close to where I live.” Cedar Rapids fits that description pretty well. Plus, when I visited Jameel and Father John Abraham after Handworks in May 2013, we were just brainstorming and agreed that they needed to organize Handworks II, and having a Studley Exhibit in Cedar Rapids concurrent with Handworks II (only 20 miles away in the Amana Colonies) would be a great idea.

Did you consider any other site for the exhibit? I mean, I’d never even heard of Cedar Rapids before.

Originally I scouted out the Rural Masonic Lodge in Quincy, Mass., because it was the home Lodge to Henry O. Studley. I even visited there to explore the possibility. Four days later a catastrophic fire gutted the building, so that option was no longer on the table. The Scottish Rite Temple in Cedar Rapids is a spectacular site, and it will be the perfect venue. It was important to my vision to place the exhibit in an elegant Masonic building and one where the exhibit could be featured, not simply lost into a maze of a mega-programming institution. In the end I did not consider a huge city because I dislike cities. Well, I did think about Cincinnati, but is it really a city? Isn’t it more like a big town?

Why is the exhibit only three days long?

Much of that is simple practicality. My agreement with the chest’s owner requires me to be on-site with the exhibit all the time it is open to the public. Three days of the exhibit (plus at least three days of packing, shipping and installation on either side) was about all I think I could take. Besides, the host site is a busy place and I did not want to take a chance on not being able to have the exhibit there.

Are there any plans to extend the exhibit, or put it someplace closer to civilization if I can’t make it to Cedar Rapids for those three days?

No.

Why are tickets so expensive?

The answer is fairly straightforward. First, if you think the ticket price ($25) is high I guess you have never been to a good play or the ballet, or a ballgame (even minor league games cost more, once you factor in everything). Second, the ticket price is in fact a bare-bones reflection of the project’s budget. Feel free to price out the cost of a secured transport service to move around a collection like this, or the cost of insuring The Studley Tool Chest, or the fabrication of exhibit cases and platforms, or the rental and security of a prominent public building, or the theatrical lighting necessary… Best outcome? Every single ticket sells, and I will only be out almost a thousand hours donated for this labor of love. I would do this again in a heartbeat.  Third, I wanted to make sure the visitor’s experience was amazing. Hence, the very few number of visitor slots.

 What do you mean, “visitor experience” and “low visitor slots?”

My concept for this was to allow each visitor to get an in-depth exposure to the chest. So the exhibit will be quite spare, only four or five artifact stations, and each visitor will be in a 50-person group and spend 50 uninterrupted minutes with the exhibit. The docents and I will make sure everyone gets their turn to get as close as possible to the cabinet (about 4” to 6”). At the end of the 50 minutes each group will be ushered out and the Plexiglas vitrine housing the tool cabinet will be cleaned to remove any fingerprints, nose imprints and drool, so everything will be perfect for the next group.

Couldn’t you get some corporate sponsors to help cut the costs?

I did check into that, but the initial inquiries and responses led me to believe it was not a fruitful path. So I decided to take personal financial risk and pay for it entirely out of my own pocket.

So nobody is helping you?

A great many people have volunteered to help in ways large and small, serving as docents, packing and setup/take-down crews, etc. All tolled there are more than two dozen people involved, and are donating their time and (for the most part) their out-of-pocket expenses.

Will you be mailing me my tickets?

No. The ticket purchases are recorded electronically. I will print the entire list out, then check you off the list and hand you your timed ticket when you check in at the Scottish Rite Temple. You will show it at the door of the exhibit hall and be ushered in. Just to make sure, it would be a good idea to bring your PayPal receipt with you just in case we miss something.